Armenia is a land where history runs deep—etched into mountains, monasteries, and memory. Whether you are drawn to the haunting testimonies of the Armenian Genocide, the sweeping narratives of classic Armenian novels, or modern reflections on diaspora and identity, books offer one of the richest pathways into understanding Armenia. In this post, we’ll explore some of the most powerful and essential works—histories, memoirs, fiction, and travelogues—that illuminate the Armenian experience for readers around the world.

1. The Crossing Place: A Journey Among The Armenians by Philip Marsden

   Philip Marsden’s The Crossing Place: A Journey Among the Armenians (1994 Somerset Maugham Award) is a vivid travel narrative written as the Soviet Union collapsed and Armenia faced war and hardship. As a young Englishman, Marsden journeyed through Eastern Europe and the Middle East to reach Armenia, encountering scattered Armenian communities along the way. Rather than centering on Mount Ararat or solely on the Genocide, he explored how Armenians endured exile, preserved identity, and carried a legacy of resilience. With crisp, lyrical prose, Marsden captures both landscapes and people, portraying Armenians as not just a footnote to history but a subtext—restless, tough, and bound together across borders.

   
   

2. The Forty Days of Musa Dagh by Franz Werfel 

   Franz Werfel’s The Forty Days of Musa Dagh (1933) remains the most famous literary work on the Armenian Genocide. Based on the true story of villages that resisted Ottoman deportation orders in 1915 and survived until rescued by the French Navy, the novel became an international bestseller, translated into many languages and later adapted into film and opera. Banned by the Nazis and denounced by Turkey, it nonetheless inspired Jews under Nazi occupation and was embraced by Armenians worldwide. More than a historical novel, Werfel’s epic portrays courage, endurance, and the moral urgency of confronting atrocity, cementing its place as both literature and testimony.

3. An Armenian Sketchbook by Vasily Grossman

Vasily Grossman’s An Armenian Sketchbook is a short, intimate account of the two months he spent in Armenia after the Soviet regime “arrested” his masterpiece Life and Fate. Initially taking on the trip for work and money, Grossman found himself captivated by Armenia’s mountains, ancient churches, and people. Written with warmth and spontaneity, the book feels like a candid conversation with the author, blending travel impressions with personal reflection. More than a travelogue, it’s a self-portrait of a writer searching for meaning amid exile and change, offering readers a wonderfully human glimpse into both Armenia and Grossman himself.

4. The Burning Tigris by Peter Balakian

Peter Balakian’s The Burning Tigris is a national bestseller that offers a powerful narrative of the late 19th-century massacres of Armenians and the 1915 Armenian Genocide. Drawing on rare archival documents and eyewitness testimony, Balakian exposes how the Ottoman Turks carried out the first modern genocide under the cover of World War I. At the same time, he uncovers a forgotten chapter of American history, when ordinary citizens and leaders rallied to aid Armenian survivors, making this both a chilling history and a story of humanitarian response.

5. The Story of the Last Thought by Edgar Hilsenrath

Edgar Hilsenrath’s The Story of the Last Thought tells the tragic tale of an Armenian village destroyed during the 1915 Genocide, framed as the dying vision of Thovma Khatisian. Guided by the storyteller Meddah, Thovma’s final thought becomes a journey through his family’s history and the suffering of his people. Mixing historical fact with the style of an oriental fairy tale, Hilsenrath blends myth, memory, and meticulously researched detail. The result is both a cruel yet compassionate novel—one that mourns loss while affirming hope, and speaks to the plight of all genocide victims.

6. Passage to Ararat by Michael J. Arlen

Michael J. Arlen’s Passage to Ararat (winner of the National Book Award in 1976) is both a personal and historical exploration of Armenian identity. Seeking to understand what his famous Anglo-Armenian father had tried to forget, Arlen travels into Armenia’s past and present, confronting the legacy of genocide, exile, and survival. What emerges is a narrative as sweeping as a people’s history yet as intimate as a father–son relationship, blending cultural discovery with the painful and affirming truths of kinship and belonging.

If you like watching movies, here are some recommendations.

1. Lost and Found in Armenia (2013)

Bill (Jamie Kennedy) is forced to take a vacation in Turkey after a bad breakup and a parasailing accident leave him stranded in a small Armenian village. He meets a young woman (Angela Sarafyan) there who helps him escape from his misfortunes.

2. The Pomise (2016)

The film tells the story of Michael (Oscar Isaac), a young Armenian who dreams of studying medicine. When he travels to Constantinople to study, he meets Armenian Ana (Charlotte Le Bon) and falls in love with her, although she dates the American photographer Chris (Christian Bale), sent to Turkey to record the first genocide of the 20th century when the Turks exterminated the Armenian minority. A love triangle settles amidst the horrors of war.

Israeli commando units, supported by helicopters and about 15 airstrikes, carried out a daring raid on a military base just five miles south of downtown Damascus. This was in a Damascus suburb, practically in the Syrian capital itself.

 Syrian soldiers stationed at a former military facility in the town of Aliswah. The strikes softened up the site and cut off nearby roads to delay reinforcements. Then Israeli commandos hit the ground for what’s called “sensitive site exploitation” — essentially gathering intelligence, dismantling surveillance devices, and recovering equipment of value.

Reports indicate those devices had been placed there by Turkey, possibly more than a decade ago, giving Ankara a window into Israel’s activities. Removing them was a clear message: Israel will not tolerate hostile eyes watching its borders.

I’m convinced Israel’s greatest enemy may not be Hamas, Hezbollah, or even Iran. It’s the international press corps.

The Media Frontline

Every explosion, every casualty, every strike in Gaza is immediately weaponized in the media against Israel. And much of it is dishonest. The majority of people who become journalists lean left, which means they filter every story through that ideological lens.

Take the recent deaths of so-called “journalists” in Gaza. Critics like Scott Ritter claim Israel just “kills the messenger” because they don’t like what’s being reported. Ritter actually said Israel’s solution to bad press is to kill reporters.

That’s nonsense. Wearing a press vest or carrying a camera doesn’t make someone a legitimate journalist. And when someone uses that press vest as cover while aiding Hamas — whether by broadcasting IDF troop movements live, carrying an RPG, or even joining in the October 7th invasion — they’ve made themselves combatants.

I can tell you as a war correspondent: if I had filmed Taliban positions during a firefight and streamed it live, putting U.S. troops at risk, I’d have been treated as an enemy, not as a reporter. Israel operates under the same reality.

Meanwhile Hamas requires any journalist in Gaza to report from its perspective — and often forces them to delete footage or spin stories before publication. Many who wear “PRESS” vests there aren’t journalists at all; they’re Hamas operatives in disguise. That’s not freedom of the press. That’s propaganda.